The New Blacklist
The Blacklist, for the uninitiated, is an annual cultivated list of Hollywood’s most liked screenplays. Industry insiders pick up to 10 scripts making the rounds that they really like, the Black List compiles the ones that get the most mentions and releases a list for everyone to peruse. Some notables you might recognize: Juno, 500 Days of Summer, In Bruges, Slumdog Millionaire, The Hangover.
Monday they revealed their game changer: aspiring screenwriters can submit their screenplays for review. $50 gets you an evaluation (if you get a low score, maybe the script wasn’t as ready as you thought it was). $25 a month gets your script into their database so that industry professionals (who can use the service for free) can search/sort by what they’re trying to make. For example, if someone is an executive for a company that makes low-mid budget crime dramas, they could narrow it down to the highest rated scripts that fit that criteria. Simple.
I’ll admit right now that my scripts are a long way from being ready to be submitted. And that’s ok. I’d rather have a great product that people can enjoy a year from now, then a half-assed one that no one is going to care about (and that will give me a less than stellar reputation). There have been a lot of thoughts online about this new service and what it means and whether it’s worth it (time will tell). Hell there’s even an interview with the Black List creator and an anonymous and bitter puppet. The commentary that caught my attention most was by Amanda over at Aspiring TV Writer:[quote style=”boxed”]I have always maintained that the path to being a professional film or TV writer is simple (though not easy): 1. write a great script, and 2. find someone important who likes it – and in my experience, most writers think that #2 is their problem when it’s actually #1.[/quote]
Essentially, don’t worry about what to do with a script once you’re done, instead think more about if you’re done. Even if I never use the service, it’s helpful having this little reminder that it’s easier to get my script out there than it was just a few days ago. Accepting that the burden is on me to be excellent, not on some nameless executive to finally realize how brilliant I am, is quite a relief.